Sherlock Gets Locked Up

MAE WEST was arrested on 9 February 1927 along with the cast of "Sex," the cast of "The Virgin Man," and the cast of "The Captive."
• • Snooty Basil Rathbone, who died during the month of July — — on 21 July 1967 in New York, NY — — was cuffed and brought downtown to Jefferson Market Police Court along with Helen Menken and their co-stars.
• • Born in South Africa on 13 June 1892, Basil Rathbone was one year older than Mae West — — but in his mind, he was worlds apart even though they were both starring on Broadway in 1927.
• • During the 1920s, most of Basil Rathbone's work was in the legitimate theater. For many of his Broadway roles he portrayed a suave, sophisticated seducer of women — — quite a change from the legendary ascetic Baker Street detective he would play later in his career.
• • Making a sensation at the Empire Theatre was a drama that had been highly regarded in Paris: "The Captive." Basil Rathbone was cast in the role of Jacques Virieu, a young man engaged to be married, only to discover that his fiancée [played by Helen Menken] is in love with someone else — — a woman. Since homosexuality was such a controversial topic during the Roaring Twenties, the entire cast was charged with offending public morals, and the play was closed right after the police raid.
• • Basil Rathbone was very angry about the censorship of his work, but even more aggrieved that show people would start whispering that he was arrested and booked — — with Mae West.
• • For years, Basil Rathbone and his wife made their home at 135 Central Park West. Mae lived in several westside locations, occasionally not far from Rathbone. But there is no record of their taking tea together to reminisce over their arrest on indecency charges in 1927.
• • The Empire Theatre • •
• • Built in 1893, the Empire Theatre had been situated at 1430 Broadway (between West 40th and West 41st) in Manhattan. An impressive playhouse, it seated about 1100. J.B. McElfatrick was the architect. Producer Charles Frohman had it built "uptown" at the suggestion of Al Hayman — — "Everything theatrical is moving uptown," he advised. Al Hayman took ownership after Frohman died on the Lusitania in 1915. In 1948, the Astor estate purchased the Empire Theatre and announced, in 1953, that it would be torn down to make way for an office tower. Waves of nostalgia spread through the theatre community, and performers gathered to celebrate the venue in a restrospective farewell performance. The bulldozers arrived in 1953 and an edifice was wrecked.
• • Brush up those zippy Mae West lines right on Broadway — — Sunday afternoon August 16th — — and forge a-Mae-zing memories.
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Attire: why not wear a Mae West-inspired hat?
• • Info: T. 212-614-9683 — — or post your RSVP or tour question here
• • Online: MaeWest.blogspot.com — — TexasGuinan.blogspot.com
• • Who: Playwright LindaAnn Loschiavo makes the tour educational and entertaining.
• • LindaAnn Loschiavo's history play "Courting Mae West" was onstage in July 2008 at the Fresh Fruit Festival. She is working on a biographical travel guide "Mae West's New York, 1899—1959" and will show some of her unusual theatre memorabilia and vintage photos during the tour and reveal secret addresses tied to Mae West that have not been disclosed before. These rare pictures show the area as it looked during the 1920s when Mae West and Texas Guinan had their name on several marquees.
• • Surprises: Prizes and other nice things are part of the fun
• • Members of the press may attend on August 16th as our guest. RSVP required.
• • • • Mae West Walking Tours You Might Have Enjoyed • • • •
• • 2006 TOUR: Our regular Mae-mavens will recall seeing the historical exhibition "Onstage Outlaws: Mae West and Texas Guinan in a Lawless Era,” which opened to the public after a Gala Roaring-20s theme Press Preview on Mae’s birthday 17 August 2006. And on Sunday afternoon 20 August 2006, more than two dozen beautiful people gathered on West Ninth Street to enjoy a special treat — — "Washington Square Women: Mae West and Texas Guinan in Greenwich Village" — — followed by a Jazz Era brunch served with champagne and the Cos-MAE-Politan cocktail, garnished with two strategically placed plump raspberries.
• • 2007 TOUR: On Friday evening 17 August 2007, a fascinating guided adventure — — "The Mae West Side Story" — — escorted numerous intrepid walk-abouts to three of Mae's former residences along with other sites linked to the Brooklyn bombshell.
• • 2008 TOUR: On Sunday afternoon 17 August 2008, the captivating Diamond Divas led a group of over two dozen Mae-mavens to several locations in Greenwich Village linked to her stage career, gay themes, courtroom woes, and the work of individuals she admired such as Lillian Russell, Tony Pastor, Texas Guinan, Eugene O'Neill, and Rae Bourbon. The 2008 walking tour — — "Mae West's Walk on the Wild Side" — — celebrated the 115th birthday of the Empress of Sex with an extravagant musical program, performed live by Met Opera soprano Marlena de la Mora and Sharon Weinman, which included these numbers: "Everything's Coming up Mae West"; "Mon Coeur S' Ouvre a Ta Voix"; "The Prisoner's Song"; "Frankie and Johnny"; "Come Down Ma Evening Star"; "I Could Have Danced All Night"; "Gentleman Jimmy"; and a grand finale taken from the score of "Diamond Lil."
• • Tour photos can be seen on the Mae West Blog.
• • For more details, do read the Mae West Blog and/ or post your email. [Your info will not be posted nor available so that miscreants and rascals can access it.]
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Jefferson Market
• • Photo: Basil Rathbone with Helen Menken • • February 1927 • •
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Jefferson Market.

Censorship & Mae West

Publishers Weekly offered a capsule review of a new title devoted to Mae West — — which also includes revealing first-person statements about her imprisonment.
• • Speaking about the author Charlotte Chandler's latest release, the critic wrote this: Chandler (Not the Girl Next Door: Joan Crawford) draws on her interviews with the 86-year-old Mae West, known for her “risqué brand of humor,” in this chatty memoir. West carefully constructed and guarded the image of her personality as a woman who enjoyed sex at a time when “skirts had to cover ankles.” She contended she was “never vulgar. The word for me was suggestive.”
• • West (1893–1980) craved the spotlight from a young age and had been a success in vaudeville, where she began to write her own material. Her screen legend perfected her sexually playful alter ego in such films as She Done Him Wrong, which contained her most quoted line: “Come up and see me sometime” [sic].
• • Chandler also includes Mae West's first-person account of her 10 days in jail — — when she was found guilty of producing an immoral Broadway show, her first full-length play, Sex. West remained a box-office draw into her 70s, appearing in the 1970 film Myra Breckinridge. Whether discussing her love life or advising on playwriting or beauty tips, Mae West was always entertaining. Photos. (Feb.)
• • Title reviewed: She Always Knew How: Mae West, a Personal Biography Charlotte Chandler. [NY: Simon & Schuster (336p) ISBN 978-1-4165-7909-0]
— — Source: — —
• • Article: PW's Nonfiction Reviews
• • Printed in: Publishers Weekly — — www.publishersweekly.com
• • Printed on: 12 January 2009
• • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • "Courting Mae West" features intriguing scenes dramatizing Mae's arrest and trials.
• • Offered onstage July 19th—22nd in New York City during the Annual Fresh Fruit Festival, "Courting Mae West" has been nominated for several awards. The black-tie awards gala will take place during April 2009 in Manhattan.
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Jefferson Market
• • Photo: Mae West • • February 1927 • •
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Jefferson Market.

Mae's back at court Aug. 17

MAE WEST and Fiorello LaGuardia have a curious connection.
• • In his column "A New Yorker at Large," Mark Barron shared insights about the Brooklyn bombshell and the ambitious politician Fiorello LaGuardia [11 December 1882 — 20 September 1947]. This installment of Barron's column was published on 28 January 1934.
• • Mark Barron wrote: New York — Mayor LaGuardia turned on the producers of risque shows, charging them with deliberately inviting police interference for the publicity it would bring.
• • Mark Barron noted: What is interesting in an ironic sort of way is the fact that it was an off-color show which led to the movement that — by increase and addition — eventually elected LaGuardia to his office. And, for that, some might say he owes thanks to Mae West.
• • Back in 1927, Miss West produced a play that brought a squadron of police censors tumbling about her with the turmoil of a Union Square red riot. As a result, Miss West was invited to spend a short vacation in the Welfare Island calaboose. [Mae's 1927 arrest and trial in Jefferson Market Court are dramatized in the play "Courting Mae West," which is based on true events during the Prohibition Era.]
• • Despite the avalanche of publicity, Mae was shocked, thinking that her attorney — a Tammany district leader — would be able to keep her this side of the steel bars.
• • A girl reporter was sent to interview Mae. In jail [i.e., Jefferson Jail — then located on Sixth Avenue], the reporter had a conversation with a girl prisoner who charged she'd been "framed" because she would not pay a bribe to a detective on the vice squad.
• • The resultant story started the inquiry into the women's courts, and it was this inquiry that brought Judge Samuel Seabury into such high esteem in the public mind. And it was Seabury whose master minding helped put LaGuardia in the mayor's office.
• • On Sunday 17 August 2008, during the "Mae West's Walk on the Wild Side" walking tour, the group will visit the little flower and a number from "Fiorello!" will be sung live by a vivacious actress, a native New Yorker who has performed in many musicals.
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Jefferson Market
• • Photo: Mae West's raid • • February 1927 • •
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Jefferson Market.

Courting the media in 1913

It was a hot summer attraction — — on 4 August 1913 — — and the crowds may (or may not) have recalled that in 1912 and 1913 Hammerstein had booked the vivacious teenager MAE WEST for eleven week-long engagements at his vaudeville playhouse situated in Longacre [later Times] Square. The location was popularly known by New Yorkers as "the corner."
• • On 4 August 1913, however, Mae West was there to open for a world-famous star: Evelyn Nesbit [1884 — 1967]. Despite a low-cut gown and provocative songs, Mae failed to fire up the audience.
• • The critic from The New York Tribune [whose coverage ran on 5 August 1912] commented that even Mae's low neckline and raunchy bumps and grinds were not enough to sway the hoi polloi.
• • Though most of the reporters ignored the 19-year-old's attempts to woo the crowd and did not even mention her name in their reviews, at least Variety's columnist Joshua Lowe [whose critique was published on 8 August 1913] noticed how hard she was working. "Mae West sang loud enough to be distinctly heard in the rear," wrote Lowe.
• • Clearly, Hammerstein's ticket-holders had come to worship Evelyn, the showgirl who had shied away from the spotlight for several years after the infamous Sanford White trial. "Anything's a good act that will make 'em talk," insisted Willie Hammerstein, who was a magician when it came to commandeering media interest and a big box office.
• • Evelyn's appearance was quite the ticket. Willie Hammerstein was so pleased at his box office bonanza that he had his sign painters create this come-on in four-foot-high letters — —

"Modern Ballroom Dancing," screamed the marquee,
"Performed by EVELYN NESBIT THAW!"

• • Readers of The New York Times saw these headlines Tuesday morning on 5 August 1913:
• • Evelyn Thaw Appears; Then Thanks Audience that Applauds Dancing at Hammerstein's.
• • According to the Times: Although it was reported at the time that Evelyn Nesbit arrived on the Olympic that she had said she would not dance unless the name of Thaw was eliminated from the signboard in front of Hammerstein's, she did appear yesterday afternoon, and the sign remained unchanged until after the performance, when "Thaw" was thinly covered with white paint.
• • A packed house tested her and applauded so persistently that she was forced forward finally by her dancing, . . . and expressed her thanks briefly for the reception. The sight of her face peeping through the mauve curtains masking the back of the stage started the applause. Then she and Mr. Clifford did three "trotting" turns, with evolutions that have been made familiar in the cabarets and public dancing places. She wore an ecru gown of light fluffy material bound in at the waistline with a broad black sash, and, with her hair loose about her neck and shoulders and a smile lighting her features, created an agreeable impression. Her dancing was of an average qualIty — — neither remarkably good nor the reverse. . . .
• • In 1899, Oscar Hammerstein built his fifth showplace — — the Victoria Theatre — — at the corner of West 42nd Street and Seventh Avenue. Stars like MAE WEST, Will Rogers, W.C. Fields, Charlie Chaplin, Ethel Barrymore, Al Jolson, Eddie Cantor, Buster Keaton, Harry Houdini, Evelyn Nesbit, and Eva Tanguay were among the thousands of performers who made Hammerstein's Victoria the vaudeville "nut house" of Times Square.
• • Mainly, it was Oscar's son Willie Hammerstein who deserves credit for the playhouse's 17-year successful run. Willie had the knack for booking crowd-pleasing stagebills along with a peacock's genius for public relations.
• • In 1906, Evelyn's millionaire husband Harry Thaw shot architect Sanford White. The "trial of the century" was held at Jefferson Market Court — — the same celebrated Sixth Avenue courthouse where Mae West would wind up in 1927. Mae's censorship trial is dramatized in the play "Courting Mae West."
• • The 19th century Greenwich Village landmark designed by Withers and Vaux is one stop on the annual Mae West walking tour that will take place this year on her birthday, specifically, beginning at 1:00 PM on Sunday 17 August 2008: "Mae West's Walk on the Wild Side." Info: MaeWest.blogspot.com
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Jefferson Market
• • Photo: Hammerstein's Victoria • • circa 1901 • •
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Jefferson Market.

Village Raid — 5 February 1923

The play "Courting Mae West" opens in one of the drag cabarets in the Village that MAE WEST used to visit. In Act I, Scene 1, Mae waves to a cigarette girl in drag known as Rosebud. Mae explains to her date, "I just cast Rosebud over there in 'The Drag'. . . ."
• • In 1923, Arthur C. Budd was 21 years old and residing at 25 West 52nd Street. Known as “Rosebud,” Arthur C. Budd worked as a female impersonator in “The Lady in Ermine” at The Century Theater.
• • A New York Times article published on 5 February 1923 — — “Village Raid Nets 4 Women and 9 Men: Detectives Thought They Had Five Females, but Misjudged One Person by Clothing” — — paints a picture of the Greenwich Village circles Rosebud traveled in.
• • The police continue to pay special attention to Greenwich Village, according to The N.Y. Times. Every tearoom and cabaret in the village was visited yesterday morning by Deputy Inspector Joseph A. Howard and Captain Edward J. Dempsey of the Charles Street Station, and a party of ten detectives.
• • Detectives Joseph Massie and Dewey Hughes of the Special Service Squad were at the Black Parrot Tea Shoppe Hobo-Hemia, 46 Charles Street, to witness what they had been informed would be a “circus.” They arrested what they thought were five women and eight men. It developed later, however, that one of the “women” was a man, Harry Bernhammer, 21 years old, living at 36 Hackensack Avenue, West Hoboken, N.J. He is familiarly known in the Village as “Ruby,” according to the police. The charge against him is disorderly conduct for giving what the police termed an indecent dance.
• • The other prisoners, all of whom were bailed out at the station house, were Lucy Smith, 22 years old, of 46 Charles Street, and Patricia Rogers, 24 years old, of 16 Charles Street, alleged proprietors of the establishment, charged with violating the Mullan-Gage law; . . . Arthur C. Budd, 21 years old, of 25 West Fifty-second Street; . . . Paul Warring, 21 years old, of 75 West Seventy-second Street; . . . . The real name of the Smith woman, according to the police, is Vera Black, and the real name of the Rogers woman is Nan Paddock.
• • Arthur C. Budd, according to the police, is known as “Rosebud,” and claimed when arrested that he is a female impersonator in “The Lady in Ermine” at The Century Theater.
• • Paul Warring, the police say, is pianist at the Black Parrot and was formerly employed at a Broadway cabaret. . . . Reilly is accused of doing “a suggestive dance.”
• • The detectives allege that before the raid early yesterday morning they bought eight drinks of whiskey at $1 a drink.
• • The “circus” did not actually take place, the detectives said, for just before the time for it to begin Patricia Rogers stepped out on the floor and announced: “There are two policemen here and I am afraid to put on the circus."
• • The joyful soiree at the Black Parrot Tea Shoppe Hobo-Hemia [46 Charles Street, New York, NY 10014] ended rather abruptly with a paddy wagon conveying the arrested individuals to Jefferson Market Police Court on Sixth Avenue on 5 February 1923.
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Jefferson Market
• • Photo: Jefferson Market Court • • circa 1917 • •
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Jefferson Market.

April is the coolest month

A West Coast feature "This Week in History" — — which mentions MAE WEST — — is glued together by the Santa Barbara Independent's news staff who, obviously, is a wee bit thick. Though this paper has had eighty-one years to get their facts straight, here is their inaccurate backwards glance on the date 19 April 1927.
• • To wit: Actress/ playwright Mae West is sentenced to 10 days in jail for writing Sex, a Broadway show about a gigolo, deemed “scandalous” by the courts. [Source for the incorrect info: Santa Barbara Independent: 122 West Figueroa St., Santa Barbara, CA 93101; T. (805) 965-5205. Their excuse for getting details wrong is rich, however. They admit to doing a quick cut-and-paste from The History Channel — — even if that means passing errors along. So if you want a job as a fact-checker, you know where NOT to go. Salaries must be low at the Santa Barbara Independent, where the corn is as high as a pink elephant's eye. Sigh. A more suitable title would be "This Week in Mystery" — — with trinkets given to the first canny readers who can spot the mistakes. This would be an inexpensive way to get the copy proofread as well, eh?]
• • Since when was Mae West's play "Sex" referred to by the wishy-washy, inaccurate, tea-party word "scandalous"? In Jefferson Market Court and in the courtroom transcript, this was called "an obscenity trial." The actors were fined and charged with giving an offensive and indecent performance.
• • Since when was "Sex" about a gigolo? Wrong plot and wrong-headed altogether.
• • Why? Well, since when would Mae West choose to star in a vehicle unless the narrative centered on the leading lady's role? She wouldn't and she didn't.
• • Too bad the Santa Barbara Independent staff did not bring their ink-stained selves off to the Aurora Theatre Company's revival of "Sex" (starring Delia MacDougall in the role of Margy LaMont) onstage in Berkeley, California in November and December of 2007. Nor did they read the reviews.
• • Synopsis of the 1926 play Mae West wrote in order to give herself a starring role: "Sex" is the tale of Margy LaMont, an ambitious young prostitute in Montreal, who is determined to get out of the skin trade and marry well. Margy takes the advice of a British naval officer [played in 1926 by handsome Barry O'Neill] to ''follow the fleet.'' That takes her to Trinidad, where she meets Jimmy Stanton, a naive rich boy from a blue-blooded Connecticut family. Jimmy proposes to Margy and whisks her home to his parents' well-furnished mansion.
• • Well, there's no gigolo in that synopsis! Anyway this blog posting is set forth for all news media outlets who would like to have correct information.
• • On 5 April 1927 at Jefferson Market Court [on Sixth Avenue in Greenwich Village], the jury returned with a guilty verdict. As she left the courtroom, followed by reporters, photographers, and a mob of well-wishers, Mae told them, "You've got to fight in this world!" She added, "You've got to fight to get there — — and fight to stay there."
• • On 19 April 1927, actress MAE WEST was sentenced for her performance in "Sex," the Broadway play she wrote, cast, and starred in. She was given ten days in prison and the jail time seems to have done her good — — from a publicity standpoint. As she left the courtroom, followed by reporters, friends, fans, and gawkers, Mae predicted, "I expect this will be the making of me!"
• • Though Mae West was sentenced to 10 days, she actually only served 8 days. The actress received "time off for good behavior."
• • "Courting Mae West: Sex, Censorship, and Secrets" — — based on true events when Mae West was tried at the Jefferson Market Police Court on Sixth Avenue — — will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] July 19th — 22nd, 2008.
• • Get ready to come up and see Mae onstage in mid-July 2008.
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Jefferson Market
• • Photo: Mae West at her Jefferson Market trial • • 27 March 1927 • •
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Jefferson Market.

A Lock on Mae West

MAE WEST gets her day in court — — when she returns to the Times Square area on Saturday 29 March 2008.
• • COURTING MAE WEST will be featured at The Producer's Club [358 West 44th Street, NYC] on March 29th under the direction of Louis Lopardi, who has selected a number of actors to do a table reading.
• • COURTING MAE WEST opens at 7:00 PM at the Algonquin Theatre (NYC) on 19 July 2008.

• • SYNOPSIS [100 words] • •

• • Based on true events during the Prohibition Era, this 95-minute play follows a vaudeville veteran whose frustrations with the rules of male-dominated Broadway have led her to write her own material and cast her own shows. Is the Gay White Way ready for love stories that feature New York City drag queens instead of card-carrying members of the union? Is the legitimate theatre ripe for racially integrated melodramas set in Harlem? Is the Rialto raring to reward a working-class heroine determined to sin and win?
• • Come up and see Mae West as she challenges bigotry, fights City Hall, and climbs the ladder of success wrong by wrong.

• • How about a date?
• • Plan ahead. Get ready to come up and see Mae onstage in New York City when the Annual Fresh Fruit Festival presents "Courting Mae West: Sex, Censorship and Secrets" (based on true events 1926 — 1932 when Mae West was arrested and jailed) under the direction of Louis Lopardi at the Algonquin Theatre [123 East 24th Street, NYC 10010] July 19th — 22nd, 2008.
• • "COURTING MAE WEST" opens at 7 o'clock on Saturday night July 19, 2008 at the Algonquin Theatre [East 24th Street and Park Avenue South].
• • • • • • • • • • • • • • • • • • • • • • • •
• • "COURTING MAE WEST" — — showtimes
• • July 19th, 2008 — — 7:00 PM
• • July 20th, 2008 — — 1:00 PM matinee
• • July 21st, 2008 — — 6:00 PM
• • July 22nd, 2008 — — 9:00 PM
• • Tickets to COURTING MAE WEST will be about $20 - $25 each.
• • The theatre has 99 seats.
• • SPECIAL: $100 - $150 donation — — donor gets name in the Program — — and 1 free ticket to the play.
• • $151 - $500 donation — — donor gets name in Program and TWO free tickets to the play and invited to all parties.
• • Fresh Fruit Festival: a non-profit group organizes this ambitious annual festival [now in its 7th year]. The colorful two-week arts festival is a money-losing venture sustained by funds from The New York City Council, a culture grant from New York State, a stipend from Senator Tom Duane, and donations from good people.
• • Get ready to come up and see Mae onstage in mid-July 2008.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Jefferson Market
• • Photo: Jefferson Market Police Court • • 2 February 1927 • •
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Jefferson Market.